Native movie logos have undoubtedly influenced the history of cinema, similar to such well-known symbols as the Nike swoosh or the Coca-Cola font. Here’s their look at how Spanish auteur Pedro Almodóvar uses sound design to construct vibrant, tactile worlds. The best movie logos: Your guide to the most iconic film logos of all time.And here’s why the Oscars‘ bias against horror should scare us.Here’s a montage of every single Matt Damon cameo.And here’s a love letter to the less popular B-movie monsters of the 1950s.Here’s their beginner’s guide to the films of Nomadland director Chloé Zhao.While we’re watching Little White Lies videos, here’s a New Year’s Eve supercut to close off last year.Here’s another taste of Little White Lies: a video that eulogizes the dramatic power of the movie phone booth.You can subscribe to their YouTube account here. And you can check out their official website here. You can follow Little White Lies on Twitter here. Luís Azevedo wrote and edited this video, and Adam Woodward and David Jenkins produced it. This video comes courtesy of the fine folks at Little White Lies, a film-obsessed magazine based in the United Kingdom. Watch “ What Makes a Great Film Company Logo? “: And as the video essay notes, that kind of flexibility is a key ingredient to crafting an enduring logo. It’s a marvelous resource on how movie studio logos shift and modulate over time. If this stuff interests you, after you give the video below a watch, I’d highly recommend checking out the Closing Logo Group wiki. The following video essay unpacks what makes a great film company logo great, from subtle designs to brazen appeals to nostalgia. Some movie studio logos go one step further and literally shape themselves after the films they introduce, integrating color filters, match transitions, and other impressive sleight-of-hand to seamlessly blur the line between logo and film. The escalating boom of the THX logo is itself a pavlovian signal to brace yourself for the heightened spectacle of being in a movie theater. Some incorporate evocative symbols to get moviegoing audiences in the mood: fireworks the open sky physics-defying light sources. And some production logos are built better than others. First come the logos: the (sometimes wildly long) string of corporate thumbprints from the film’s production companies and distributors. The bright, sparkling eye that opens Blade Runner reflects not only plumes of industrial flames but the oracular imagery of the film to come.īut most movies don’t start with the film itself. Who doesn’t love a good opening shot? Blood-red roses swaying against a pristine white picket fence tell you everything you need to know about the suburban horror of Blue Velvet. Today, we’re watching a video essay about what makes a great movie studio logo. Welcome to The Queue - your daily distraction of curated video content sourced from across the web.
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